Tag Archives: The New Pornographers

The New Pornographers Release Confident New “Whiteout Conditions”

3 May

The New Pornographers debuted in 2000 as something of a Canadian super-group, bringing together three accomplished lead singers — A.C. “Carl” Newman, Dan Bejar and Neko Case — every few years for a new album and a tour. It should be noted that while Case is often identified as Canadian due to her lengthy association with the New Pornographers, she’s American. She was born in Virginia and considers Tacoma, Washington to be her hometown.

On the New Pornographers’ most recent album, Brill Bruisers,” the band incorporated generous helpings of synthesizer into its set-list with the help of something called an arpeggiator — a hardware- or software-based gizmo that takes the notes of a synth chord and effortlessly transforms them into an arpeggio.

Whiteout Conditions, the band’s seventh studio album, again makes liberal use of the arpeggiator. And while this album doesn’t have quite as many hits packed into it as Brill Bruisers (which was, after all, about the hit songwriting factories of New York City in the 1960s), it’s still a dynamic, high-energy indie musical feast.

The album features propulsive, synth-driven pop-rock, with fabulous vocals and mesmerizing harmonies from singer-songwriter Newman, Case, and Canadian keyboardist, Kathryn Calder. Newman’s tightly packed, crisp lyrics are meaningful and thought-provoking.

By the way, absent from this New Pornographers album is co-founder, Bejar, who was busy with his other band, Destroyer, at the time this was recorded.

Track highlights: The album explodes out of the starting gate with “Play Money,” with its rapid-fire rhythm, multiple layers of sweet and fuzzy synths and Case’s lead vocals effortlessly rising and falling.

On the title track, Newman takes the lead, backed by strong harmonies from Case and Calder. It’s anthemic, with the arpeggiator creating a jittery, skittering landscape.

On to track 3, the biggest hit of this collection. “High Ticket Attractions” features Newman and Calder on call-and-response vocals, with rich harmonies and big synth chords in the chorus.

Track 10, “Clockwise,” starts with angelic backing vocals and builds into a driving road song with wonderful imagery painted by Newman’s lyric, “In the valley of the lead singers.”

The album closes with a throwback 70s feeling on “Avalanche Alley.”

While the album is weighed down a bit by some sameness from one track to the next, you’ll find Whiteout Conditions to be a great addition to your pop-rock portfolio.