Tag Archives: indie pop

Oakland’s Tambo Rays Ready to “Recharge” Your Batteries

28 Sep

San Francisco has long been known for its music, going back to the time of Jefferson Airplane, Big Brother and the Holding Company and the Grateful Dead. The East Bay developed its own sound — with early acts ranging from Creedence Clearwater Revival to Tower of Power and the Pointer Sisters.

So it’s not surprising that the trend continues today. One of the latest releases from a band that’s part of the Oakland music scene is from the Tambo Rays. The synth pop-rock group is led by Brian and Sara DaMert, siblings who have deep Bay Area ties going back to their youth in Marin County.

Sara’s interests include two of my favorite passions as well — soccer and music. She was a high school soccer star — winning all-league honors for three consecutive years. That earned her the opportunity to keeping playing in college for UC Santa Cruz. But recognizing that there was no future in professional soccer for women, she turned to her other love — music.

She has played with a number of local groups, but on the Tambo Rays’ current EP, Recharge, Sara’s emerged as its lead singer in addition to a keyboardist.

The five tracks feature catchy melodies, strong vocals, snappy rhythms and lush arrangements — with lyrics that examine life’s trials and tribulations. The DaMert’s father died in 2015, so in some sense, the EP was one aspect of how Brian and Sara dealt with the pain.

Despite that, Recharge has a very positive feeling to it — with lots of good energy.

Track highlights: “Yes and No” opens the album with sunny synth pop-rock that has a punky, girl-band attitude. Bob Jakubs’ drumming is crisp and there’s a late 70s, early 80s vibe to the melody.

The third, track, “Wrong Turn,” is a mid-tempo tune that’s smooth and slinky. The song features a big arrangement with many layers of keyboards and a busy bass line by Greg Sellin, and it builds in the choruses to an anthem feeling.

My favorite song on the EP is the fourth track, “Nothing to Lose.” This is a punky pop-rock number that explodes with intricate interplay between sharp guitars and sparkling synths. There are rich backing vocals as well. The electronic drum track is a bit reminiscent of Michael Sembello’s “Maniac.”

Overall, this is a fun album to listen and dance to — a fine effort from the young Oakland band. And if Sara ever pursues her third love, cooking, by opening her dream restaurant — I just may have to sample that as well.

 

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Rebecca Schiffman’s Self-titled Album a Simple Pleasure Worth Discovering

13 Sep

Rebecca Schiffman is a true artist. She’s a painter, a jewelry designer and an indie musician — someone who makes music that’s at once personal and universal. Her songs are about the kinds of everyday troubles and turmoil that we all must deal with and learn from as we go through life.

Her latest album, the self-titled Rebecca Schiffman, comes at a time of big changes in her life. In the seven years between albums, Schiffman has had her songs used in the soundtrack for Lena Dunham’s “Tiny Furniture.” Her jewelry has been worn by a number of celebrities. And she’s moved from the East to West Coast — leaving her beloved Manhattan for Southern California’s La La Land.

Oh, and she got married to a successful TV comedy writer. They met when he cast her as an extra in a music video he was directing, and their first date was earned due to a contribution he made to a Kickstarter campaign for a jewelry collection she was designing. But that whole dizzying romance thing is a separate — if well worth reading — story.

As for Schiffman’s music: it’s relatively unassuming and often slightly off-kilter. There’s a wry humor to a lot of her lyrics. The quiet acceptance of saying, “Surely, there are worse ways to die,” in her captivating “Tips for Conquering Fear of Flying.” Her self-assurance as she sings “I don’t care, I’m maniacally happy/There’s no place I’d rather be alone in New York City” in “Walking to the Subway.” The keen observation of detail in “Nico,” as she spends a night in the bedroom of a childhood friend who has left for school.

Her understated approach can make her music easy to overlook at first. But the more time you spend with Rebecca Schiffman, the more you’ll realize this is an album worth your attention.

Track highlights: “Nico” opens the short, nine-song set. Its shuffling pace, simple piano and strummed guitar perfectly balance with Schiffman’s whimsical vocal reminiscing.

“Walking to the Subway” is a confident stroll — with Schiffman’s playful lyrics complemented by organ and lap steel guitar played by Mike Bloom (Rilo Kiley, Jenny Lewis), who’s one of many talented guest artists on the album.

“Laura,” is the third video from the album — with Schiffman putting herself in the shoes (and in the video, the clothes) of a man bidding for Laura’s favors. I’m sure there’s a story here, but I don’t know what it is.

The highlight of the album for me is “Tips for Conquering Fear of Flying,” apparently one of Schiffman’s personal phobias. The track becomes more driving than the others with intercutting between piano-inspired playfulness and tension-filled moments marked by tumbling drums and noisy, airplane-engine guitar created by Nels Cline (Wilco). If you haven’t seen this video yet, you really must catch it.

The album closes with “I’m Only You.” Although the song was written and originally performed by Robyn Hitchcock, the lyrics are a perfect fit with Schiffman’s elegantly disarming poetry throughout the album. On this track, she departs from Hitchcock’s grungy, jangly take on it by singing the lyrics with a sense of mystery and expectation over a repetitive guitar note. Chaotic brass is added near the end of the song.

Rebecca Schiffman has been out since last summer, although we only received it at KZSU a few months ago. In any case, it’s not too late. If you missed it the first time around, you really must give it a listen and consider adding it to your collection.

 

Karla Kane’s First Solo Album Is a Wonderful, Whimsical,Yet Thought-Provoking, Collection

2 Aug

Karla Kane is the lead singer-songwriter for The Corner Laughers, a sunshine indie pop band from the Bay Area’s mid-peninsula with connections to Stanford University. I’ve written about the past several albums the band has released, and also one the band released under its alter ego, Agony Aunts.

Now Kane has taken the big step of producing her first solo album, King’s Daughters Home for Incurables, and it’s another wonderful, whimsical collection of enchanting, sometimes melancholy acoustic folk for thinking music lovers.

The 11 songs on the album lead listeners into an otherworldly landscape that transports them to distant (and not-so-distant) places and times — from medieval England to California’s golden, tree-studded foothills. At the same time, Kane’s feet are firmly planted on the ground as she addresses many of the topics of the day including feminism and our thirst for hope and respect in a too-often dark world.

The disarmingly simple arrangements on King’s Daughters Home for Incurables are precisely produced, populated with an intriguing mix of instruments and sound effects — from Kane’s signature ukulele to Richard Youell’s nature recordings (birds, bees and rainstorms) and even announcements from a U.K. train station.

While this is ostensibly a solo album, Kane makes good use of her fellow members of The Corner Laughers, as well as guests such as Mark and Helen Luker (U.K.’s Fun of the Pier), Martin Newell, Anton Barbeau, and others.

Track highlights: The title track has a lilting, medieval feeling — offering a quick trip of imagination back to olde England. Kane’s rich vocals and strummed ukulele are at their best here.

Next comes “Wishing Tree,” a bouncy, skipping, happy tune on which Martin Newell (Cleaners from Venus), contributes additional vocals and his distinctive poetry. Track 3, “Skylarks of Britain,” is a stately tune that starts in cathedral-like reverie and builds into rich harmonies and a Beatles-like arrangement.

The first single on King’s Daughters Home for Incurables is “The Lilac Line.” This is an upbeat, strummy celebration inspired by travels through Nottingham on the Lilac bus line.

“All Aboard,” Track 10, presents a soulful commentary on the uncertain age we live in. A train-like vibe is created by Kane’s piano.

Really, all of the songs on King’s Daughters Home for Incurables are excellent — full of wry observations about daily life and the occasional literary reference — so it’s hard to choose which ones to include in a review. But this is definitely an album you’ll want to add to your collection.

I’m planning to see if Karla and friends can stop by KZSU for a chat and some live performances — hopefully on September 1st — so I’ll feature the album that day or the following Friday. The official release date is October 6th.

If you’re interested, the album can be preordered at: http://cornerlaughers.com/album/kings-daughters-home-for-incurables.

 

Beach Fossils’ New “Somersault” a Must for your Summer Soundtrack

25 Jul

Beach Fossils is an indie rock trio out of Brooklyn, New York, led by frontman, Dustin Payseur. Formed in early 2009 and known initially for a lo-fi, hazy vibe, Beach Fossils has embraced more of a jangle-rock sound in its current album, Somersault, the first new release from the band in four years.

The album incorporates a number of instruments that Beach Fossils hasn’t used much (or at all), including harpsichord, piano and even flute — plus ample servings of strings. The additional creativity in composing and arranging has paid immediate dividends with Somersault earning largely excellent reviews.

Pitchfork described the album as containing “Dustin Payseur’s most nuanced songs to date.” Paste said, “Thanks to a rich sonic palette and more dynamic songwriting, (Beach Fossils) has turned in their best collection of jangly indie rock songs so far.”

If you enjoy bands such as New Jersey’s Real Estate, I promise you’ll like the latest from Beach Fossils.

Track highlights: Somersault opens with a glistening example of jangle-pop that’s every bit the equal of anything Real Estate has done — with all due respect to Real Estate’s excellent releases. “This Year” moves with pace and energy created by Payseur’s bouncy bass line, topped with the welcome jangle of Tommy Davidson’s guitar. It’s the album’s lead single, and a good one.

The second track transitions to a bit of a breezy, jazzy feeling. “Tangerine” features vocals from Rachel Goswell, guesting from the band, Slowdive. The strings give the song a polish and timelessness that recall sunny afternoons spent on distant beaches.

“St. Ivy” evolves beyond the usual jangle-rock into mid-tempo dream pop that sounds like it came out of the late 1970s a la Hall & Oates. There’s jazz flute in the lead break and then the song flows into the Valley of the Beatles, with rich strings and a George Harrison-like lead guitar part. This represents a new level of sophistication for the band.

Track four offers another crystalline jangle-rock standard called “May 1st.” The album continues with one delight after another and more than enough variety to avoid repetition, including its share of more serious lyrical messages and even some rap.

The second-to-last song is yet another highlight, a jangle-rock epic recalling Fleet Foxes’ influence called “Be Nothing.” The track builds to a big jam that shows the range Beach Fossils has as the band continues to mature. Somersault is clearly worth your notice.

 

Margot Polo’s Fun New Synth Dance Pop Is First Indie Summer Single of 2017

7 Jun

If you’ve ever visited the San Luis Obispo coast, you know it’s pretty much a slice of heaven on earth. Miles of sandy beaches, drenched in Central California’s abundant sunshine. Waves lapping lazily on the shore. The Avila Beach pier, extending out into the shimmering azure water. Morro Rock standing like a sentinel at the entrance to the bay. Rolling golden hills rising in the distance.

This idyllic environment can shape a person’s worldview — and that certainly seems to be the case with local band, Fialta, and now a new solo project by Fialta guitarist, vocalist and songwriter, David Provenzano.

Recording as Margot Polo, Provenzano has captured the essence of the upcoming summer of 2017 on the West Coast on his digital single, “Sweet California,” the first release from an album planned for sometime in 2018.

The catchy indie synth dance pop tune features swirling synths, a buoyant bass line, sweet harmonies, and even wistful whistling that seeks to convey the magic of this special place. The tune was written by Provenzano, with help on some of the lyrics from his wife, Sarah Shotwell, who plays keyboards, glockenspiel and sings in Fialta. While Sarah will contribute vocals on upcoming Margot Polo tracks, backing vocals on “Sweet California” were done by Becky Filip of the Honey Trees.

Margot Polo is a side project for Provenzano, who will continue to write, record and perform with Fialta going forward. But it will be interesting to see where his path takes him as Margot Polo as well. Stay tuned for more in the coming months.

If you’re interested in previewing or purchasing a digital copy of “Sweet California,” you can go to Margot Polo’s Bandcamp page.

 

Hot Young Band, Night Talks, Making Waves in SoCal Indie Music Scene

31 May

Dating back to the 1960s, when legendary bands such as the Doors, the Byrds and Buffalo Springfield emerged from the Southern California rock scene, L.A. has always had a sound. This has continued to now with indie artists such as Warpaint, Best Coast, Silversun Pickups, Local Natives, and Jenny Lewis calling the L.A. area home.

In 2017, you can add a new young band to that list — Night Talks — which just released its debut album, In Dreams.

The four-piece alt-rock group fronted by lead vocalist Soraya Sebghati brings a fresh new sound to the L.A. music scene. Sebghati’s versatile vocals range from angelic to edgy a la Evanescence. She’s backed by an outstanding trio of players that includes Jacob Butler on guitar, Josh Arteaga on bass and his brother, Cris, on drums.

In addition to solid guitar-driven foundations, In Dreams’ numbers often include layers of synthesizer — giving the tunes a full, rich ambiance. And always, Sebghati’s confident, expressive vocals distinguish the album from the ordinary.

Track highlights: The album is loaded with songs that could be considered standouts. My four favorite tunes on the album didn’t even include two that the band has released as video singles, showing how consistent the band’s quality is from top to bottom.

“Mr. Bloom,” the band’s second single is an excellent place to start. It’s an explosive, driving alt-rock track that features a sterling vocal performance by Sebghati, backed by sharp roaring guitars and uplifting harmonies in the chorus.

“Black and Blue” features a playful synth-pop melody with a captivating stop ‘n’ go beat. “Glass” slides over to the dreamy side, with its glistening guitar chords and spellbinding vocals. Butler’s guitar work on this track is outstanding as well.

“Jungle” is the band’s latest music video. It’s an ominous-sounding tune with synths that are almost theatrical at times. The album concludes with the title track — a gentle, swaying slow dance that showcases Sebghati’s softer side.

In Dreams is an outstanding debut from a band that promises to be around for a long time.

 

The Pooches Deliver Bright, Fun Indie Pop from Scotland

10 Nov

Scotland is known for its great bands in a variety of genres. That includes indie pop-rock legends such as Belle & Sebastian, as well as Chvrches, Camera Obscura, The Fratellis, Teenage Fanclub, and many more. Now, you can add The Pooches to that list.

Earlier this year, I blogged about the band when the group released its Heart Attack EP. Now, the boys have a full self-titled album, anchored by the very catchy “Heart Attack” track.

The Pooches were initially a solo project of frontman, guitarist and songwriter, Jimmy Hindle. He released two albums under the Pooches moniker in 2013 and 2015.

But in 2016, he added band members Gavin on bass, Calvin on drums and Andy on guitar — and The Pooches is the group’s first full-length release.

The Pooches’ sound is Brit-pop with some punky trimmings. If you’re familiar with classic rock from the 1960s — when the original “British invasion” of the American music scene occurred — there’s an eerie similarity to some of those bands, such as Herman’s Hermits, the Dave Clark Five, the Yardbirds, Gerry & the Pacemakers, and many others. All of the songs on this album feature jangly guitars, catchy melodies and warm vocals — again, with just an edge of punk to them.

The lyrics are fresh, simple and honest — often with a touch of humor. For example, one of Jimmy’s early EPs was How to Fix a Broken Hearth, a clear riff on the Bee Gees song “How Do You Mend a Broken Heart?”

And the tracks are almost all short — with only two songs at 3 minutes or over, and the shortest one being just 37 seconds!

“Heart Attack,” which opens the 11-song set, remains the best of the bunch. It’s sunny, bouncy and slightly jangly — with a few handclaps and great hooks throughout. The lyrics mention “reading all about the first Heart Attack single,” which is a reference to the song by the hardcore punk band from NYC that was popular from about 1978-1984.

“I’ll Be Gone” features a strumming guitar and snapping snare drum. The vocals in the chorus are pleasantly harmonized. Track 5, “The Light,” delivers a simple melody with a nice backbeat. “Everything” is more of a mid-tempo number with great lyrics, “I don’t want to be the kind of boy who thinks that everything is about him/I don’t want to be the kind of boy who thinks that every song’s written about them.” Each verse opens with a very catchy descending run of notes. Again — simple, but very compelling pop.

This continues throughout the set, including Track 9, “Be Not Fearful,” a lightly skipping tune with an uplifting message delivered against a bright strumming composition.

If you enjoy quality, fun pop, check out The Pooches.