Henry Jamison Debuts with Little-Known, but Highly Worthy EP

29 Mar

Think of it as an appetizer — a tasty treat designed to tickle your ear lobes, as you wait for the satisfying main course to come, most likely later in 2017.

Henry Jamison is a young singer-songwriter based in Burlington, Vermont. His father, a classical composer, introduced Henry to music when he bought him his first guitar. He was on his own to learn how to play it, but it soon became clear that Jamison had a true gift, and his talents are on full display on his debut EP, The Rains.

Jamison’s style is what I’d call alternative folk-pop. It’s not your classic folk of the 1960s and 1970s, and definitely not freak folk. The songs are warm and melodic, featuring Jamison’s rich tenor, guitar and/or banjo, but also synth soundscapes and even some noise on a few tracks. The arrangements are simple, yet precise, and the poetic lyrics are honest and authentic to the emotions being expressed.

Track highlights: “Dallas Love Field” is wistful and wonderful. Jamison’s easygoing vocals tell the story of love found and lost, backed by an energetic drum track, guitar and a hint of pedal steel whining sorrowfully in the distance.

The second song on the five-song EP is “Real Peach,” a slightly slower ballad with an airy synth bed, strummed guitar and a touch of banjo in places. I believe this is the first single.

“The Rains” features fingerpicked guitar in a lilting melody with ghost-like backing vocals supported by an intriguing, circular rhythm.

The fourth track, “Through the Glass,” is a swaying, introspective tune that describes a bad breakup. Unfortunately, it’s got a word in it that we can’t play on the air, so you’ll have to get the EP to listen to it.

The EP wraps with “No One Told Me,” which finds Jamison harmonizing with a female vocalist over a steady timekeeping rhythm and swirling synths.

In short — this is an EP that identifies Jamison as a highly talented artist with a lot for listeners to look forward to.

 

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